A treasure island of piano music — Spiegel Online
The Grand Piano label continues to uncover gems of the piano repertoire. — Fanfare
June 14, 2018

Argentinian-American pianist Mirian Conti has built a career on the music of non-canonical composers. That’s not to say she’s ill-versed in the classics—far from it, in fact, as countless glowing reviews can attest. But even though Conti is equally at home in Chopin as she is in Halffter, she is first and foremost a champion of lesser-known pieces, both old and new.

Conti’s passion for new music found voice most recently in a recording of fellow Argentinian Lalo Schifrin’s complete works for solo piano. Continue reading

Best Album of the Year: Arutiunian
April 03, 2018

Grand Piano is delighted to report that Hayk Melikyan’s recording of the complete piano works of Alexander Arutiunian [GP718] has been recognised as Best Classical Album of the Year by Armenia’s Ministry of Culture.

Arutiunian, an accomplished pianist who was much admired by Shostakovich, created virtuoso piano works that are rooted in Armenian folk traditions while expressing, in the words of Hayk Melikyan, “a rich palette of emotions reflecting both his time and the history of his nation.”

“Strength and imagination are the hallmarks of this disc.” (MusicWeb International)

Hayk Melikyan has also recorded the complete piano works of Arno Harutyuni Babadjanian, a fellow Armenian composer and member of the so-called ‘Mighty Handful’. [GP674]

“This is an exemplary introduction to the music of Babadjanian.” (Fanfare)

Goran Filipec's recording of Blagoje Bersa's piano music receives a Gramophone Editor's Choice award
February 28, 2018

Blagoje Bersa Piano Music album coverGoran Filipec’s January, 2018 release of music for solo piano by the Croatian composer Blagoje Bersa (GP767) has received a Gramophone Editor’s Choice award in the magazine’s March issue. Jed Distler’s review is a recital in itself and well worth reading in full. In addition to the 1897 Second Sonata, which is the release’s most substantial work, the 11-item programme includes Bersa’s Fantaisie-Impromptu (“Liszt on steroids”), the melodically intriguing Po načinu starih (“pinches of mint in a vanilla pudding”) and Marcia trionfale (“a relentless invasion of octaves in all directions”).

“Although Bersa was the most influential Croatian composer at the turn from the 19th to the 20th century,” says Filipec, “his music stayed pretty much unknown to international audiences. Remarkable in his musical intentions, Bersa is a composer who will surely be appreciated by music lovers.”

Jed Distler has the final word in support: “I cannot recommend this release highly enough and, needless to say, I look forward to Vol 2.”

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