Louise Farrenc was one of the most respected pianists, composers and pedagogues in the Parisian musical scene of her day, gaining the admiration of Robert Schumann. Her Theme and Variations sets are regarded as some of the most significant pieces she composed for piano. In this volume, Farrenc takes inspiration from the famous bel canto operas of Bellini and Donizetti, as well as popular airs and dances that would have resounded throughout the fashionable salons of 19th-century Paris. Maria Stratigou continues her acclaimed survey of Farrenc’s complete works for piano.
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1
Variations sur une galopade favorite, Op. 12 () (00:10:57)
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Les Italiennes, Op. 14 (1835) (00:25:00 )
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2
No. 1. Cavatine de Bellini's Norma (00:06:58)
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3
No. 2. Cavatine de Bellini's La Straniera (00:08:18)
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4
No. 3. Cavatine de Carafa's Berenice (00:09:42)
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5
Variations brillantes sur la cavatina d'Anna Bolena de Donizetti, Op. 15 (1835) (00:12:11)
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Les allemandes, 2 mélodies favorites variées, Op. 16 () (00:12:00 )
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6
No. 1. Chanson autrichienne (00:05:26)
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7
No. 2. Air de Weigl (00:06:45)
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