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FARRENC, LOUISE (1804–1875)

Complete Piano Works • 4


  • Maria Stratigou, piano

Louise Farrenc was one of the most respected pianists, composers and pedagogues in the Parisian musical scene of her day, gaining the admiration of Robert Schumann. Her Theme and Variations sets are regarded as some of the most significant pieces she composed for piano. In this volume, Farrenc takes inspiration from the famous bel canto operas of Bellini and Donizetti, as well as popular airs and dances that would have resounded throughout the fashionable salons of 19th-century Paris. Maria Stratigou continues her acclaimed survey of Farrenc’s complete works for piano.

Tracklist

1
Variations sur une galopade favorite, Op. 12 () (00:10:57)
 
Les Italiennes, Op. 14 (1835) (00:25:00 )
2
No. 1. Cavatine de Bellini's Norma (00:06:58)
3
No. 2. Cavatine de Bellini's La Straniera (00:08:18)
4
No. 3. Cavatine de Carafa's Berenice (00:09:42)
5
Variations brillantes sur la cavatina d'Anna Bolena de Donizetti, Op. 15 (1835) (00:12:11)
 
Les allemandes, 2 mélodies favorites variées, Op. 16 () (00:12:00 )
6
No. 1. Chanson autrichienne (00:05:26)
7
No. 2. Air de Weigl (00:06:45)
Total Time: 01:00:17

The Artist(s)

Maria Stratigou Dr Maria Stratigou studied at the Conservatory of Athens, the Royal Conservatoire of Scotland and the Royal Northern College of Music, where she completed her PhD Performance Aspects of Louise Farrenc’s Piano Études. She is currently a teaching associate (Performance) at the University of Sheffield. Stratigou has given lecturerecitals and paper presentations at numerous international conferences on this subject. She has performed across Europe and is the recipient of numerous prestigious awards, including the ’Eleni Tim. Mykoniou’ Prize for Piano (Academy of Athens, 2013) and First Prizes at the Jock Holden Memorial Mozart Piano Prize Competition at the RCS (2008) and various Panhellenic piano competitions.

The Composer(s)

Louise Farrenc Louise Farrenc was one of the most respected pianists and composers in the 19th-century Parisian music scene, and her four sets of Études are her most important compositions for piano. Beautiful melodies and distinctiveness of character have made the Études, Op. 26 the most popular set, but all of these pieces are full of grace and charm alongside their didactic usefulness in their references to the styles both of Farrenc’s musical ancestors and her contemporaries. The Greek pianist Maria Stratigou is one of Louise Farrenc’s greatest exponents and makes her Grand Piano debut with these exquisite rarities.