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PONCE, Manuel María (1882-1948)

COMPLETE PIANO WORKS • 2


  • Álvaro Cendoya, piano

Manuel Ponce was one of Mexico’s most prolific and decorated composers and remains highly esteemed and popular today. Leaving Mexico midway through the Revolution, he lived in Cuba between 1915 and 1917 and soon absorbed the island’s seductive Caribbean sensuality and subtle dances, also expressing melancholic nostalgia for his homeland in the Elegía de la ausencia. While living in Paris from 1925 to 1933, Ponce explored new compositional techniques, resulting in his own modernist style, as heard in the Suite bitonal which is notable not only for its use of polytonality but its inspired lyricism.

Tracklist

1
Rapsodia cubana I (1915) (00:12:04)
2
Guateque (1916) (00:02:38)
 
Suite cubana (1916) (00:15:08 )
3
I. Serenata marina (00:03:09)
4
II. Plenilunio (00:04:26)
5
III. Paz de ocaso (00:05:37)
6
Preludio cubano (1916) (00:01:25)
7
Elegía de la ausencia (1916) (00:02:57)
8
Cubana (Danza de salón) () (00:01:41)
9
Moderato malinconico (1928) (00:02:19)
10
Scherzino (Homenaje a Debussy) (1912) (00:03:04)
11
Intermezzo No. 2 () (00:04:33)
12
Preludios encadenados (1927) (00:07:01)
 
4 Piezas, "Suite bitonal" () (00:11:58 )
13
I. Preludio scherzoso (00:03:12)
14
II. Arietta (00:02:25)
15
III. Sarabande (00:03:57)
16
IV. Gigue (00:02:43)
Total Time: 01:03:11

The Artist(s)

Álvaro Cendoya The son of a Basque father and an Iranian mother, Álvaro Cendoya was born in San Sebastián in 1960. He first studied at the local Conservatories and then in Madrid. Subsequently he moved to Buenos Aires, where he studied the piano for three years with Bruno Leonardo Gelber and later continued his piano studies in London with Noretta Conci and Peter Feuchtwanger.

The Composer(s)

Manuel María Ponce was the author of a substantial and significant body of work and, as one of Mexico’s most prolific and well-known composers, is still held in great esteem today. His catalogue takes in virtually all genres and forms of music. One fundamental characteristic of his work is the use he made throughout his career of different styles, reflecting his range of knowledge and mastery of different compositional techniques. Broadly speaking, his music ranges from the post-Romanticism of the previous generation of composers to a modernism which made sporadic appearances in his early works but really began to establish itself in the music he wrote during his time in Paris (1925–33) and thereafter.

Reviews

“The quality of Manuel Ponce’s piano music surprised me: both music and performance are lusty, voluptuous, colorful, dazzling, and soulful.” – American Record Guide

“Álvaro Cendoya is the perfect choice to tackle this challenging realm of Ponce’s repertoire” – LATINO Magazine